Kevin Saunderson might be probably a familiar name by now. He’s what James Brown was to soul, what Robert Johnson was to the blues, what Wayne Newton is to casinos and cruise lines. No idea? Well you’re probably one of those uneducated rave twerpies who has no appreciation for your musical roots, shame on you! (I had no idea who he was either.) Saunderson’s been making techno since 1983, and pretty much created it, in addition to about a million different subgenres, not to mention industrial and the amorphous, ever-expanding genre of electronic indie music. Now, the master himself returns to the spotlight on Red Bull Music Academy Radio to show you what else he’s been up to. He’s come a long way since his humble beginnings in Detroit, though on his latest, he isn’t above mixing weird present with random past (including that ‘chikka-chikka’ song from Ferris Bueller’s Day Off) with some pretty steadfast and modern beats, as well as creating some more groundbreaking noise–there’s a reason that he’s sold over 6 million albums and had 6 top 40 UK hits. For those of you who want to know more about where modern electronica came from, here’s your chance to get educated.
During an intense period of my life, surrounded by punk rock rebellion, miles of dust and decay, deafening volumes, and emotional upheaval, somebody dropped the needle on Moby’sPlay. Nothing that summer, or any summer since, has had such an impact on my psyche. Not to be overly sentimental, but have you ever heard a record and immediately felt like it spoke directly to your exact situation at that exact moment in time? Well for me, Moby does that. He takes the craziest sounds from the strangest places and he orchestrates them into this beautiful symphony of sorrow, sadness, salvation and the sublime.
On June 30th he will release Wait For Me. I’m unsure of what the entire album will sound like, and I hesitate to ever compare Moby’s individual projects to…well anything else out there. He free falls through genre’s using his instinct and talent like a parachute. He has said of this project that he, “decided to just make records that were more personal, maybe more experimental, and a little more challenging, maybe not as easy to like, but things that I found to be artistically and creatively more satisfying.”
We have a little taste of it for you here, you tell me? Moby? Moby Not?