Along with Mix Master Mike, DJ Jazzy Jeff is one of those dudes who lives by the credo if it ain’t broke, don’t fix it. And if it gets in your way, f–k it. Like Mike himself, Jeff never had much luck with school. He never graduated from John Bartram High School in Philly, but it must mean something when they have his head plaque-ified on the High School Wall of Fame, right? Then again, he probably cares less now than back then; the guy was throwing bloc parties while other kids were sweating gym class. Jazzy Jeff, aka Jeffrey Towne, ditched classes to learn the trade, much as Mike escaped city drudgery by traveling lone wolf style to learn whatever it took to acquire his trade. If you’re white like me, you may have tuned in to The Fresh Prince of Bel-Air every week just to see Jazz get tossed out of the house by Will Smith’s Uncle Phil. But there’s clearly a lot more to the lad than that, as his darling status as regular at many of the Red Bull Music Academy Thre3 Styles would suggest. Feel free to get a listen of his latest set here, where he mixes everything from classic Marley to jazz of olde to Biz Markie. There had to be more to the guy besides Nightmare on My Street.
Tag Archives: Red Bull Music Academy
Event On The Floor hits the Midwest
The concept behind Red Bull Music Academy’s On The Floor event is simple—bring a few notable participants from the academy together and let them each mix/perform whatever they chose for ninety minutes straight. Depending on the combination of talent, the formula could amount to a straight up stellar show. And this was the case overall last Friday at Chicago’s Double Door as influential L.A. producer Flying Lotus was joined by Londoner Kode 9, and Toronto’s Mymanhenri for a night of mad, mind-bending beats.
Music Front 242: Don’t Call it a Comeback
Front 242 is on the rise again. Then again, the raw, one-of-a-kind act that gave rise to the likes of Revolting Cocks, Pigface and several hundred others have been spreading the disease for nearly 3 decades (specifically since 1981, if you can believe it–anyone else feel old??) — and many would argue they never went away. On Red Bull Music Academy, Patrick and Daniel break out and shuffle through their catalog of favorite tunes, both past and present. More importantly, get a listen of one of industrial music’s innovators, and hear them discuss some of the more technological aspects of software, hardware, and programming throughout the history of the genre. It’s not a geeks-only thing so much as a way to appreciate a somewhat maligned corner of the electronica genre.
Music Dilated Peoples’ DJ Babu
DJ Babu — one third of Dilated Peoples — has, since the inception of his incendiary hip-hop group: a) collaborated with Likwit Junkies, b)served as producer/turntablist for about half a dozen other groups (including Linkin Park and Pharoahe Monk), and c) basically busted his ass to get as far as he has. So in addition to working with a number of some of the most diverse musical artists out there, the prolific Babu has just released “The Beat Tape Volume 2″, a more-than-worthy successor to his 2007 original epic collection of anthemic, thundering pulses. It’s his extensive collection of beats and rhythms, as well as the various artists he’s worked with, that have helped make him so revered by artists and fans alike from NYC to LA, instead of being prone to that exclusive coast-based snobbery. Get a listen of it on Red Bull Music Academy Radio, and hear Babu discuss some of his favorite inspirations.
Music Thomas Dolby
Thomas Dolby will probably stick out to most of you as the “Blinded Me with Science” guy from the 80s, and a man unfortunate enough to have one of his songs featured on Howard the Duck, remembered by many as possibly the Worst Movie Ever Made. But there’s a lot about Dolby you may not know: in addition to being a regular contributor to the soundtracks of Grand Theft Auto and The Mind’s I video game series, he even developed a new downloadable file format called Rich Music Format (RMF) which improved the sound quality and quantity of sampled sounds in songs. Dolby’s started to give more attention to the science his song made him famous for: He spends most of his time devoted to his audio company, Beatnik, which is devoted to improving the quality of sound and synth technology. Plus, he dresses like a cyborg. Check out his latest and greatest hits on Red Bull Music Academy Radio.
Music Dam-Funk: The Ambassador of Boogie…and Funk
First off, Dam Funk is weird. Part of that weirdness is the unabashed mix of Casio keyboard-tinkering and early 80′s Motown melodies, which sound like something between Rockwell (you know, the “Sometimes I feel like somebody’s watchin’ me” dude) and a Michael Jackson studio outtake from Thriller, minus the excessive falsetto. “Toeachizown” is not only a snazzy way to spell a credo to live by, but one of several Delorian rides back into 1983 cruising through the streets of Jermaine Jackson and post-disco new wave rejects. “I Wanna Thank You for (Steppin Into My Life)” makes D-F’s tone-deaf croonings verge on endearing; I think of that sensitive nerd who sat in the back of high school chemistry class, wire-framed glasses and a bookbag full of Anne McCaffrey novels, secretly thankful that a cheerleader asked to borrow his bunson burner. (Dawn Monreal, if you’re reading this, see my contact info-Jeff). Nothing spectacularly original, but if you want a feel-good album with some infectiously catchy melodies to get you in the mood, you could do worse (there’s always that Rockwell guy, hahaha!!).
Music The Red Bull Music Academy Welcomes Jay Electronica to Club Haze, Las Vegas
Rising DJ and freestyle dynamo Jay Electronica kicked enough ass at Club Haze in Las Vegas last February to earn him a welcome back March 8th. As per usual, he tore up the show up in his traditional fashion, driving the crowd wild and (especially) making the girls go crazy. Performing excerpts from his limited release of LPs, the hip-hop equivalent of a progressive rock album in the form of Act 1: Eternal Sunshine (The Pledge), which is, in the man’s own biography, “laced with movie samples and Beatles film soundtracks.” Shorter compositions like “Hard to Get” served as a bit of a break from the longer ones, with the crowd moving to every groove they could.
Music Ulrich Schnauss: Just Say Ja
Germany’s Ulrich Schnauss has a knack for weaving together various forms of electronica, as he puts it in his Red Bull Music Academy interview, “in the widest sense of the term.” Schnauss is the self-proclaimed product of both 1980s German dance music, the likes of which had been started by Tangerine Dream and Kraftwerk, and other bands from across the spectrum of shoegaze such as The Cocteau Twins and Slowdive. But it’s Schnauss’ sixth sense for fusing these elements together which makes it work, the result of years of obsessive practice and label-hounding. While some of it verges on the sentimental side, there’s gems like “Stars”, where dampened percussion and a sort of ambient drone enhances the lyrics of a vagabond narrator, while “Between Us and Them” best captures Schnauss’ knack for capturing something between melancholia and restlessness, giving a sort of spectral feel to music that needs no words.
Music The Pet Shop Boys
Anyone remember these guys? I have something to get off my chest: As a heterosexual male, I got a lot of crap in my youth for liking the Pet Shop Boys. Still I remained rock-hard and steady in my Showboats, knowing that in between my copy of Olivia Newton John’s Xanadu and the soundtrack to Yentl I could find a copy of the album with “West End Girls” on it. All you haters, laugh if you want but it makes for a kick-ass soundtrack to a game of frisbee football or badminton even if repeated blows to the head have forced you to keep it to yourself on your iPod. The PSB (as aficionados such as myself refer to them) first gained infamy through that aforementioned track, and with New Order producer Stephen Hague playing on their team, that was all she wrote. Listen to Neil Tennant and Chris Lowe reminisce on Red Bull Music Academy Radio. Put on your (Domino) Dancing shoes, young man, and Go West!
Music Daedalus Soars on the Wings of Imagination
DJ Alfred Darlington’s pseudonym is no throwaway–this Daedalus is as much an inventor as his mythical Greek namesake; his wings are his rhythms and rhymes, his beats and freestyles–and the Santa Monica-born spinner soars on his own anarchic sound that is as genuine in its extolment of the contemporary as it is old-school. I’ve gone overkill with the literary comparisons, but the point is his knack for interacting with the crowd and keeping the listener on the club floor, even if vicariously–something nowhere more evident than in his show in Italy at the 2009 Dissonanze Festival, available on the Red Bull Music Academy site. You listen to his music, you go to his show, and you’re borrowing his wings. His gift is his beatmatching, which is most likely to solidify his signature sound– it’s a versatile canvas of moods from so many different genres sprawling into each other perfectly, and something sorely absent from the club scene of today, which seems tepid in its experimenting with different scenes. His only drawback is the occasional foray into monotonous and run-of-the-mill beats, but what an innate talent the man has for mixing jazz with R&B, hip-hop with 8-bit Nintendo noise– or pretty much whatever he feels like at the moment.













