Anyone can sell cloths… Well maybe not anyone, it actually seems like a fairly impacted market to me, I digress, but my point being is this, there are a lot of companies out there to sell threads, and then there is LRG.
If there is one thing to be said about the current era of rap music, it’s that artists are more willing to collaborate than ever before. There was a time when rap crews stayed to themselves and never crossed family lines to work with other camps. Back then, if you were Ruff Ryder, you only rocked with the double-R, and if you were Wu-Tang, you only broke bread with your Shaolin army. It’s all different now. DJ Khaled can do a remix have damn near everyone that’s buzzing in every region of the country dropping a verse and showing major love for a common cause. It’s in that spirit of connecting forces that we present to you a new project from two legends in the game: the Bootcamp Duo of Tek and General Steele (a.k.a. Smif N’ Wessun) and iconic Mt. Vernon producer Pete Rock. The individual stats of these two entities are too long to list, but together, their soon-to-be-released project is nothing short of its namesake. ChinaShop caught up with General Steele to get the raw information about Monumental, his colossal new endeavor.
Toronto beat maker Marco Polo likes his hip-hop beats to sound a certain kind of way, and that’s exactly how he makes them; raw, dusty, sample-heavy and with hardboiled drums that could bust the inner sanctums of even the most sturdy, fortified speakers. So when he tells you that his inspiration comes from that Golden era of rap that produced classic rappers like Q-Tip, Kool G. Rap and KRS-One, it really comes as no surprise.
Remaining relevant in hip-hop is arguably tougher to do than in any other music genre/culture, but Queensbridge-bred rhymer Nas makes it look easy. When he made his debut on Main Source’s “Live At the BBQ” in ’92, potent lines like, “When I was twelve I went to hell for snuffin’ Jesus,” quickly made Nas an MC you purposely sought out. Like many hip-hoppers in ’94, I remember listening to his debut, Illmatic, on repeat that summer in awe. On top of the first-class productions from DJ Premier, Pete Rock, and Large Professor heard on this classic, Nas’ vivid street narratives and raw metaphors unfolded like moving, gritty cinema that you just refuse to stop watching.