Hudson Mohawke (real name Ross Birchard) is a Glaswegian Emotronic Soul DJ/Producer. He’s been spinning since he was a wee lad at 15, winning the distinction of being the youngest finalist in the UK DMC (World DJ Competition.) He’s got a unique ability to take, make and recycle sounds from the past turning them into fresh reincarnations of genius.
Little Dragon is an electronic music band, based in Gothenburg, Sweden. It consists of Swedish-Japanese singer Yukimi Nagano (vocals, percussion) and her close high-school friends Erik Bodin (drums), Fredrik Källgren Wallin (bass), and Håkan Wirenstrand (keyboards). They are currently touring the world at large but we caught up with them in Detroit at Movement.
Within five minutes of Flying Lotus’ set on the Red Bull Music Academy stage at Movement on Memorial Day, it was obvious why he was closing down the stage for the weekend. Flying Lotus (born Steven Ellison) came in with a “shoot first, ask questions later” mentality. After rumors that he might be late (no one wanted to see his much anticipated set reduced), Ellison arrived like he had something to prove.
With a mission of bringing together musicians, DJs and producers from diverse musical and cultural backgrounds to exchange ideas about music and their knowledge of how life in the industry works, Red Bull Music Academy has helped emerging, innovative talent get their wings including many of the acts that were seen on the dedicated stage throughout the weekend.
Daedelus, well-known around the electronic music industry as one of today’s cornerstones of new sound graced the Red Bull Music Academy stage incorporating a deep jazz element into his Movement set proving his nickname — “mad professor” — true.
Mid-fi synth-wave, slow-motion funk. How could you read it and not want to hear it? But Com Truise does you one better — he offers up a visual accompaniment with just about everything he releases. To announce a trio of shows — first trip overseas to Sweden, his two-hour show at Movement 2011 and a set in Toronto — Com pumped out a slick graphic to let you know. He designed the artwork for his Ghostly International debut, “Galactic Melt,” due July 5. He rocks a t-shirt he designed to coincide with said release.
These, ladies and gentlemen, are the perks of being the digital art director for a global pharmaceutical firm and a budding New Jersey-based DJ whiz.
I first heard of Sonny Moore (better known as Skrillex) back when he was in a little punk rock band called From First to Last on Epitaph Records. His electro house/ dubstep inspired sound doesn’t feel very rock n roll at first blush, however his ability to mix sounds, create moods, and subvert the expected is very punk rock, even in the electro community.
The spirit of a movement lies in the hearts, and in this case the costumes, of its people. We say goodbye to this year’s Movement Electronic Music Festival with a look at the crazy characters who made it special.
Throughout the weekend, the Red Bull Music Academy brought a variety of polarizing acts into Movement 2010’s growing spotlight. On Sunday evening, as the heat subsided and the Detroit River sat calm and picturesque to the south of the stage, local emcees Guilty Simpson and Phat Kat took to the stage with 8-piece funk group Will Sessions (think Detroit’s Dap Kings) to rock the mic and rock the crowd. Running through a catalog of music — from Guilty Simpson’s recently released full-length OJ Simpson (produced by Madlib) to Phat Kat’s legendary hip-hop album Carte Blanche (including a guest cameo on “Cold Steel” by Slum Villages’ Elzhi) along a selection of classic cuts from legendary producer J Dilla — the two emcees set out to translate their rhymes from written lyric to live, fluid poetry while Will Sessions brought recorded sounds live to the stage. It didn’t take long for those unfamiliar in the crowd to wave their hands on command nor did it take long for Guilty Simpson, Phat Kat, Elzhi and Will Sessions’ Sam Beaubien to dish on the experience of performing together on one stage and the state of Detroit hip-hop while relaxing post-show in the Red Bull Lounge.
As Mr. Scruff frantically packs up his gear backstage (as frantically as one can pack their gear with a Budweiser in one hand), my mind wanders around the universe for questions to ask when my time to shine finally arrives.
“Why is a guy who professionally brews his own tea and adores ale drinking a Budweiser?” I wonder. “Is Budweiser available overseas? Is Budweiser considered a delicacy for dudes from the UK?”
“His beard doesn’t seem the least bit unruly,” I observe. “In fact, it’s barely there. Where is the hair on his body that helped give him the stage name of Mr. Scruff? Do I really want to know?”
“Did this dude really manage to fit ‘I Say A Little Prayer’ by Aretha Franklin into his set?” I asked aloud to myself (my brain was overheating from all the introspective questioning).
For the past twenty years, Brian Gillespie has sat behind the decks serving up an educated selection of deep, melodic techno, funk and obscure jazz alongside his signature ghetto-tech blend to the Detroit scene. As part of the deejay duo Starski & Clutch (Gillespie as Starski, DJ and producer Todd Osborn as Clutch), has expanded his brand to a fresh audience after an eclectic set on the Red Bull Music Academy stage last Sunday afternoon. But as a representative for the Red Bull Music Academy in Detroit, many don’t realize that the same determination Gillespie puts into searching for records, he also piles into “helping give young, local talent the resources to [experience] the same exposure in a year that would normally take five, 10, 15 years.” Beginning in Berlin in 1998, The Red Bull Music Academy is built to cater to and foster budding talent. While burgeoning musicians, deejays, singers and producers attend, waves of established and often legendary artists come to visit and educate — think ?uestlove, Madlib, Melvin van Peebles, Chuck D, Carl Craig, Caribou and many more. Held at a mixture of exotic locations around the globe, the Red Bull Music Academy is an opportunity for young talent to get lost within their craft, to hone their skills live and begin building a name through one of the most accomplished music programs to date. But the reach doesn’t end there.