Toronto beat maker Marco Polo likes his hip-hop beats to sound a certain kind of way, and that’s exactly how he makes them; raw, dusty, sample-heavy and with hardboiled drums that could bust the inner sanctums of even the most sturdy, fortified speakers. So when he tells you that his inspiration comes from that Golden era of rap that produced classic rappers like Q-Tip, Kool G. Rap and KRS-One, it really comes as no surprise.
Remaining relevant in hip-hop is arguably tougher to do than in any other music genre/culture, but Queensbridge-bred rhymer Nas makes it look easy. When he made his debut on Main Source’s “Live At the BBQ” in ’92, potent lines like, “When I was twelve I went to hell for snuffin’ Jesus,” quickly made Nas an MC you purposely sought out. Like many hip-hoppers in ’94, I remember listening to his debut, Illmatic, on repeat that summer in awe. On top of the first-class productions from DJ Premier, Pete Rock, and Large Professor heard on this classic, Nas’ vivid street narratives and raw metaphors unfolded like moving, gritty cinema that you just refuse to stop watching.