2010 was a banner year for music in general, and it’s now clear that the doomsayer rumors about the inevitable implosion of the industry were greatly exaggerated. Being a dedicated devotee to the mid-’90s, true-school era of hip-hop, it was great to see that the resurgence of supreme lyrics and raw beats started by Raekwon’s excellent OB4CL2 continued all the way through 2010. Overall, it seems a taste level and “hunger for more” has crept back into the music game, and as you’ll see in my Best Of list, I give massive props to quite a few deserving overachievers. It’s fun being a music fan again and let’s hope this trend continues into the new year. What are you waiting for? Pop the lid below to see who rocked my eardrums the hardest this year.
Tag Archives: Jay Electronica
Music Moe Green: An Everyday Dreamer
“I wanna be relatable to the average person instead of trying to be the superhero rapper with a cape,” says up-and-coming rhymer Moe Green from his home in Vallejo, California.
Green (a.k.a. Gregory Carter) admits that his raps used to be all about the get-money lifestyle, but his perspective now as a twenty-something has noticeably broadened. On his recently released debut, Rocky Mavia: Non Title Match, this MC raps precisely about the random facets of his life not so much as a storyteller but as a line-for-line lyrical technician.
Music Marco Polo: Boom Bap from the T. Dot
Toronto beat maker Marco Polo likes his hip-hop beats to sound a certain kind of way, and that’s exactly how he makes them; raw, dusty, sample-heavy and with hardboiled drums that could bust the inner sanctums of even the most sturdy, fortified speakers. So when he tells you that his inspiration comes from that Golden era of rap that produced classic rappers like Q-Tip, Kool G. Rap and KRS-One, it really comes as no surprise.
Daily Dots Daily Dots: Dead Weather, Jay Electroncica, Courtney Love, Flying Lotus, Soundgarden, Beck
Today’s bloggin best…
- 18 more hours to hear the new Dead Weather album streamed live on vinyl. SPIN
- New Jay Electronica with Diddy is thankfully more Jay than P. Okayplayer
- Apple is shutting down Lala music service. Pop & Hiss
- Courtney Love wrapped last night’s show early due to her anti-depressants. Village Voice
- Xiu Xiu and Deerhoof covered an entire Joy Division album live. Stereogum
- Flying Lotus “augmented reality” app is admittedly trippy. Flying-Lotus
- Soundgarden has a cool secret show anagram, NudeDragons. SPIN
- Beck and friends cover yet another INXS song. Four down, Eight to go. Hypetrak
Daily Dots Daily Dots: Big Boi, Plastikman, Daft Punk, The xx, Sophia Coppola, Steve Jobs, Guru, Jay Electronica
Today’s bloggin best…
- Outkast’s Big Boi finally sets a release date for Sir Lucious Left Foot. NME
- Finally some real Daft Punk movie music. Prefix
- The xx remixes Yacht. DFA Records
- Sophia Coppola baby daddy to score her new film (it’s Thomas from Phoenix). Pitchfork
- Steve Jobs really hates pr0n. Sends perverts to Google. Wired
-Legendary MC Guru passes away. MTV
- B.O.B. hangs with Jay Electronica. 2DopeBoyz
- Behind-the-Scenes with Plastikman at Coachella. URB
Uncategorized Daily Dots: Platikman, Russell Brand, Oliver Stone, Gang of Four, Dr. Dre, Jay-Z, Jay Electronica, Lollapalooza, Mayer Hawthorne
Today’s blogging best…
- Plastikman exclusive Coachella mix by JPLS. URB
- Oliver Stone working on Russell Brand documentary. The Playlist
- Gang of Four giving away Sony Walkmen and their own blood. NME
- Thom York performs brand new song live in NYC. At Ease
- Dr. Dre / Jay-Z collab “Under Pressure” comes out on Friday. No pressure. Nah Right
- Jay Electrohannukah. X Is The Weapon
- Lollapalooza quits f**king around and announces line-up. Chicago Tribune
- Mayer Hawthorne covers “I Left My Heart In San Francisco. Format Mag
Music The Red Bull Music Academy Welcomes Jay Electronica to Club Haze, Las Vegas
Rising DJ and freestyle dynamo Jay Electronica kicked enough ass at Club Haze in Las Vegas last February to earn him a welcome back March 8th. As per usual, he tore up the show up in his traditional fashion, driving the crowd wild and (especially) making the girls go crazy. Performing excerpts from his limited release of LPs, the hip-hop equivalent of a progressive rock album in the form of Act 1: Eternal Sunshine (The Pledge), which is, in the man’s own biography, “laced with movie samples and Beatles film soundtracks.” Shorter compositions like “Hard to Get” served as a bit of a break from the longer ones, with the crowd moving to every groove they could.









