Film ‘Don’t Think’ Just Let it Flow

February 3, 2012 - 10:00 am

In a post-Daft Punk world, where many live stage productions seem to pale in comparison to the iconic Pyramid that was retired in 2007, some seek refuge in deadmau5, others, The Chemical Brothers. In the early days of performing as The Chemical Brothers, Tom Rowlands and Ed Simons have always incorporated a visual element to their live music. From the earliest days of slide and video projectors, the ‘live’ element of The Chemical Brothers has now evolved into a conglomerate of hundreds of lights, LED panels, digital imaging, and a whole touring staff working behind the scenes to make sure each show runs without interruption. Their latest multi-sensory effort, “Don’t Think,” is a movie based around their performance at last years Fuji Rocks Festival in Japan.

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Featured Gallery Music HARD Haunted Mansion – The Biggest Halloween Party Not On Halloween

October 31, 2011 - 12:25 pm

If there wasn’t an age stipulation for going trick-or-treating, HARD Haunted Mansion might not have made it past the four-year mark. Having just completed a successful fourth installment to its steadily growing Halloween party, Los Angeles’ Shrine Exposition Hall played host to all the adults who want to satisfy their Halloween desires without risking the door-to-door candy gathering which would land them in jail. Look at it like this; HARD Haunted Mansion is like the house you always went to on Halloween who gave you full-sized candy bars from the big brands you actually liked.

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Music Return of The Fat Boy: Fatboy Slim at HARD

October 31, 2011 - 11:41 am

If dance music lovers had a zodiac calendar, 2011 would be the year of the Fatboy. At the end of 2008, Brighton-based DJ and producer, Norman Cook, decided that he was potentially going to discontinue performing under his pseudonym, Fatboy Slim. After partnering with ex-Talking Heads member, David Byrne, they set out to record and eventually release an album under the name, The Brighton Port Authority. Lucky for us and bad for the music industry, music downloads surged and it had become increasingly difficult to survive as a successful studio musician. (Not to mention it isn’t anywhere near as fun as playing live in front of 250,000 of your closest friends, like he did in 2002.)

After the release of the BPA’s album, I Think We’re Going To Need A Bigger Boat in 2009, the Fatboy Slim moniker was revived to a ready and willing Australia. Touring sporadically around the world through 2010, including a two year run at Glastonbury, Norman Cook began picking up speed as a force to (still) be reckoned with. With over 70 shows slated for 2011 alone, this year is the most demanding touring schedule he has ever seen.

After kicking his drinking habit over two years ago, Fatboy Slim appears to be having the most fun of his career. Although his productions have slowed, his headlining slots have not. After returning to the United States earlier this year for the first time since 2008, Fatboy Slim headlined the Detroit Electronic Music Festival and this past weekend’s HARD Haunted Mansion. With the end of the year nearing, Norman Cook has achieved what very few could do. He came, he conquered, and he reignited a sense of nostalgia in hundreds of thousands of his loyal fans. Fatboy Slim reminds me a simpler time in dance music, a time where you could watch a music video of Christopher Walken defying gravity and walking on walls, and not have to worry about the media asking you how much drugs you’d have to take to enjoy it.

I was able to speak with Norman before his headlining slot over the weekend at the Los Angeles based, HARD Haunted Mansion and quickly learned that although he might take a break every now and then to satisfy other musical urges, he will always have an insatiable thirst for being Fatboy Slim.

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Music Electric Zoo: Harder, Better, Faster, Stronger

September 8, 2011 - 7:44 am

It has been ten years since Daft Punk released Discovery, an album that many highlight as being a key player in pushing electronic music into the mainstream. Now, the demand for electronic music is greater than ever. Electric Zoo, the premier electronic music festival now in its third year, invaded New York this past weekend looking to meet that demand. By addressing several issues from the record turnout last year and upping the length of the festival from two to three days, Electric Zoo seemed to be living up to the symbolic phrasing introduced by the iconic Daft Punk ten years prior, to be: Harder, Better, Faster, Stronger. At the end of the weekend, approximately 85,000 people passed through the concert gates to take part in one of the largest electronic music festivals to ever take place on the east coast.

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