Featured Gallery Music Howlin’ Rain and the Darkness on the Edge of Town

March 16, 2012 - 10:32 am

The Russian Wilds. Google it, and most of the results you’ll get will be album reviews. But about three-quarters of the way down the search results page, you’ll find a link to a Smithsonian Magazine article about two photographers and one writer who traversed and documented 5,000 miles of mostly untouched Russian countryside stretching from Europe to the Pacific coast of Asia. This may or may not have anything to do with the title of Howlin’ Rain’s new LP—oddly enough, I never asked—but the album cover’s psychedelic, eyeballed pomegranates and regal flamingos paint a picture of a band sojourning to unknown realms, hoping to bring back a few bushel barrels of strange fruit to share with the enlightened masses.

As you’ll see in the interview below, Howlin’ Rain frontman Ethan Miller is a cerebral dude who can turn a phrase like a NASCAR driver turns a corner. Steeped in the heavily punk rock yet hippie-friendly ethos of Northern California, Miller explored the outer limits of music by hanging out with local cats who introduced him to free jazz and ultra-underground “private press” labels. His previous band, Comets On Fire, was a psychedelic noise rock outfit known for their epic space jams and incendiary live sets. With Howlin’ Rain, their bend is decidedly more classic rock, but their transgressive approach to pushing each song as far as it can go still remains.

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Featured Gallery Music Bringing Out the Dead: W▲RLOK’s One-Year Anniversary

March 15, 2012 - 10:33 am

Last week W▲RLOK, one of Angel City’s premier witchouse clubs, celebrated its one-year anniversary with live performances by LA’s own Marching Dynamics and Minneapolis native, Fostercare. Marc Jason is the artist behind the latter moniker whose syrupy, break-beat-driven soundscapes have been creeping onto the scene over the past few years. Fostercare is embarking on a massive tour this year – the dates are being released on the official fan page, here.

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Featured Gallery Music At Home in Chesapeake: Rachael Yamagata

March 15, 2012 - 10:18 am

After years of “navigating the waters of major labels,” Rachael Yamagata has taken matters into her own hands. Through a Pledge Music campaign, she financed her latest album, Chesapeake. Once the funds were raised, she grabbed her band, headed to her producer’s house on Maryland’s Eastern Shore, and camped out in the backyard. Yamagata says the recording process happened very organically – late night jamming sessions, vocal mics scattered around the house (even in the shower), and recording in pajamas.

In the midst of a worldwide tour, Yamagata stopped at Hotel Café for back-to-back shows. Prior to her third LA show, she sat down with us to discuss her recent Pledge campaign, the magical moment when songwriting brings her to tears, and her ongoing battle with stage fright.

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Art Featured Gallery The Art of Adult Swim

March 14, 2012 - 10:00 am

American Dad!, Aqua Teen Hunger Force, Family Guy, The Boondocks, Robot Chicken, Space Ghost Coast to Coast, Metalocalypse, The Venture Bros, Tim and Eric Awesome Show, Great Job!… the list of ways in which Adult Swim has enriched our lives goes on and on. In order to properly celebrate these fabulous shows, Gallery 1988 hosted an Adult Swim inspired exhibit. Gallery 1988 co-owner and Adult Swim gallery curator, Jensen Karp, was the mastermind behind the endeavor. Over the course of a year, Karp invited a group of his artist friends to “breathe different kinds of lives” into the favorite characters of Adult Swim viewers.

Artists used various methods to pay homage to their favorite characters, seeing inspiration from late night cartoons. The walls were filled with prints, paintings, sketches, and mixed media tributes to the likes of Stewie, Space Ghost, Master Shake, Team Venture, and more.

Here are a few of our favorites:

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Featured Music Soul Food: Lee Fields Finds His Groove

March 13, 2012 - 9:42 am

When you’ve been in the business as long as Lee Fields has, you see patterns. You see how lifestyle choices lead to creative choices, and how those choices can mean the difference between burning up the charts with a hit or burning out your career. The North Carolina soul man has spent 40 years making records, and has toured with the likes of Sammy Gordon and Kool & the Gang, but it wasn’t until he partnered up with Desco Records for a string of single releases back in the late ’90s that he crept into the fringes of more mainstream music publications. In 2000, when Desco closed up shop and grew into Daptone, Fields exploded again, his star shining even brighter from the popularity of other Daptone artists like Sharon Jones, Antibalas, and the Budos Band. Now’s he’s dropping his second LP for Truth & Soul, the Brooklyn-based funk and soul label created by Leon Michels (El Michels Affair) and Jeff Silverman.

Faithful Man is a bonafide funk doctrine that drips with the blood, sweat and tears of a man who’s walked the walk and talked the talk, and if no one told you it was a contemporary release, you’d swear it was pulled from your father’s record collection. “Take my hat, my shoes, my girl, I still got it,” he testifies on “I Still Got It,” a track that epitomizes the spirit of the album. On “Walk Thru That Door,” he leads a medley of horns and strings to a promised land of romantic rebirth, a common theme on Faithful Man. It seems that Fields has found a good home on Truth & Soul—who is sending him overseas for a string of dates in France, Germany, Switzerland, England and Scotland before he returns to the States in late April—but wherever the next chapter of a long, storied career takes him, you can be sure the spirit won’t lead him too far away from the source.

Check out this interview with Mr. Fields after the jump, then Like ChinaShop on Facebook and ‘Share’ the article with friends for a chance to win a package of goodies from Truth & Soul. We’ll randomly select one winner between now and midnight PST on Monday, March 19.
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Featured Music Never Mind The Faceless Techno Bollocks, Here’s Orbital

March 12, 2012 - 9:18 am

Siblings know how difficult it can be to maintain an agreeable relationship with one another, whether they’re simply keeping up appearances at family functions or making excuses for the questionable behavior of small children, but when business is involved, all bets are off. Those whose business is making music together… good luck. The path to collaborative enlightenment is littered with sibling rivalries, from the brothers Langdon (Spacehog) and Robinson (Black Crowes) to the infamous Gallagher (Oasis) and Followill (Kings of Leon) clans.

Brothers Phil and Paul Hartnoll of Orbital never engaged in the laddish and headline-grabbing activities of their counterparts. They just hit a wall, and they hit it hard. After releasing some of electronic music’s most dancefloor friendly and critically lauded albums of the ’90s, they produced only three LPs between 2001 and 2010, one of which was a soundtrack. They were, by their own admittance, self-conscious creators, looking perhaps a bit too much toward the competition during a time when dance music was trying to make a different sort of emotional impact on its listener. Orbital told stories in run-on sentences. They made singles by accident. The clubs wanted something different, but Orbital, thankfully, can only “do” Orbital.

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Art Featured Gallery 28 at 28 (and Beyond)

March 12, 2012 - 9:17 am

In 2009, a 28-year old Sam Cohen became inspired to photograph a group of 28 year olds. The next year, when he turned 29, he shot a group of 29 year olds and did the same thing when he turned 30. In the years to come, Cohen will continue with his photo-journalistic series, which explores how perspective and sense of self evolve with age.

We popped into Culver City’s NextSpace for a first hand glimpse of the 90 prints that encompass Cohen’s “28 at 28.” In addition to perusing his photographs of Los Angeles based peers in their natural environments – homes, places of business, neighborhoods – we had the chance to pick the artist’s brain for an in depth look at his ongoing series.

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Comedy Featured Film Who Wouldn’t Want to Talk to Eliza Coupe?

March 9, 2012 - 11:17 am

If you’ve been paying attention lately, then you know who Eliza Coupe is. And if for some reason you don’t, well, get ready, because she’s about to kick you in the face. Hard. She would love that. No, really, she would. But only if you found it as amusing as she did… or really, even if you didn’t. Coupe, who stars in the hit TV show, Happy Endings and first stole your hearts as Dr. Jo Mahoney in Scrubs, has been blowing up the blogosphere recently with her hilarious web series “Why Won’t You Talk to Me?” The series is based around her relationship with Michael Fassbender, who for some reason just won’t talk to her. Maybe it’s because it’s actually Fassbender’s cutout? ChinaShop caught up with Coupe on the set of Happy Endings and she and co-creator Briana Venskus explained how the project happened and how close they really have become with Fassbender.

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Featured Music Tune Out and Tune In with Nosaj Thing

March 7, 2012 - 12:58 pm

Jason Chung, aka “Nosaj Thing” has been DJing since he was twelve years old. In eighth grade, Chung would tell his mother that he was spending the night at a friend’s house and would sneak out to raves where he would stand in the audience, memorized by the drum and bass. Fast-forward to today and Chung is among the most talked about experimental beatmakers of his time.

West Hollywood’s Mondrian Hotel recently hosted a poolside performance by Nosaj Thing as part of their 2012 “Mondrian Sessions.” We caught up with Chung prior to the show to hear about his favorite remixes, new material, and how he came up with his alias.

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Featured Gallery Music Party Like It’s 1984: Van Halen Revisited

March 6, 2012 - 1:08 pm

With respect to George Orwell, the only 1984 that ever mattered to me featured a cigarette-smoking cherub on the cover and bawdy prose about hot teachers, drop dead legs, girls gone bad, and one epic homage to acrobatics. I was only 8 when Van Halen dropped their sixth studio album—and their last with David Lee Roth until this year’s A Different Kind Of Truth—but its lyrical content and otherworldly riffage (both on the guitar and keyboard) caused a drastic shift in my musical arc. It was the bridge that connected Men At Work’s Business As Usual to Iron Maiden’s Powerslave, and due to its mildly controversial artwork, it was the first album I was conscious about keeping out of sight. Until, of course, the Iron Maiden LPs started filtering in from my older cousin in 1985. There was no hiding those.

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