Another Halloween–and hundreds more hordes of freaks, fruits, and assorted miscreants, all coming out of the woodwork to flood Santa Monica Blvd. for the West Hollywood Halloween Carnaval. What began as good-natured fun with my fellow Angelenos turned something which all-too-eerily resembled a pesky L.A. traffic jam— one side of the street, you’re packed alongside the others like a human sardine; move to a lane that looks clearer and be caught between sweaty cavorting bodies in fleshy gridlock. Then a horde of H1N1-infected pigs come trampling your way, squashing into you and sending you sprawling onto the street. Even Beaker from The Muppets got in on the act.
Author Archives: Jeff Nau
Film Hey Kids– It’s the ANTICHRIST!
Critics have called it shocking, horrific, repulsive, and pretentious; Roger Ebert claimed that Von Trier “has reached me and shaken me,”; others deemed it “the most shocking film in the history of the Cannes Film Festival.” So is Antichrist really deserving of all the controversy heaped upon it? (Is any film, really?) While it may be a bit overhyped, the last 45 minutes or so of the film easily rival the visceral gore of most contemporary torture-porn horror films. You know how certain movies get the ‘unrated’ aka NC-17 card, and you leave shaking your head, cursing the retarded logic of the MPAA? I’m surprised this one even made it to a theater: Genital mutilation, hardcore sex shots, leg impalement, Willem Dafoe’s ass, and a rather prescient fox who screeches: “CHAOS REIGNS!”
Oddity Urban Exploration The Witch’s House: Beverly Hills 90666!
Around Halloween, the inhabitants of all those cozily, carefully-shrouded McMansions in Beverly Hills turn their eyes to the scariest thing in town: The Witch House, which looks like something like a cross between the Gingerbread House in Hansel and Gretel, and a hobbit home in Rivendell. It was built in the 1920s for a bunch of silent, and presumably creepy, films — hey, it was used in the Alicia Silverstone movie Clueless! — before finally being relocated to Beverly Hills. Unfortunately it’s not something open to public view, so the best you can hope for is a drive-by, or, for the particularly brave, a nosy peek through the windows.
Music State Radio
Ruff Shod | The schizophrenic musical sensibilities that lurk underneath State Radio‘s radio-friendly image will please many and perhaps drive away many others; one need only listen to their new LP Let It Go to get a sense of the band’s diverse musical territory. State of Georgia, for instance, immediately calls to mind the flat, dry endless terrain of certain states below the Mason-Dixon line. And tracks like Knights of Bostonia– nothing short of a full-fledged punk rock fist-pumping outburst– might conjure up imagery of Rancid or The Lets Go Out Tonights, stuff of the steel-toed boot days of yore.
Music Burns
Take a listen to “First Move” and one of the first things you’ll notice is how much the funk-oriented guitar and bass sound of Burns could be something off of Michael Jackson’s Thriller album. It’s this classic-sounding riff which helps provide the underlying theme for the song, which continues for some time before giving way to a serene interlude of thin, piercing synthesizers under a variety of lush and ambient sounds.
Music Rainbow Arabia
Tribal, rhythmic, exotic– these are descriptions rarely applicable to dance artists nowadays, most of whom favor the monotonous and uninspired over something even remotely experimental. But there’s a great deal of the unique in Rainbow Arabia’s new EP, Kabukimono, on which keyboardist Danny Preston and his wife, Tiffany, exploit their respective musical talents to the fullest.
Music The Slits
After flying off the radar for quite a while (25 years to be exact), The Slits have emerged to once again raise their collective middle fingers to the bastards at AOR, exactly three decades after their debut album Cut. Around the time that The Runaways were proving girls could handle the big leagues of hard rock, The Slits went even further by embracing a more schizoid musical palette that extended far beyond the punk rock realm.
Music The Penelopes
There’s something oddly refreshing at the heart of France dance duo The Penelopes’ brand of twangy, ambient rock n’ roll. Picture the electric Fender reverb of a 1960′s strat mixed with a layer of synth and bubblegum pop dance beats, and you’re only getting a small part of the picture. The Penolopes’ sound is perfect for everything from breaking up a rave with a brawl, or taking a road trip as far away from the civilized world as possible.
Music Scott Hardkiss
Giant Step | Mixing different styles of electronica, techno, trance, and more, many of Scott Hardkiss‘ song titles are both self-explanatory and satirical: Beat Freak encompasses a wide variety of different beats, both percussive and synth-based, while others like The Revolution Has Begun are less genre-bending revelations than catchy, quirky observations on electronic music’s self-indulgent obsession with retro effects. Star Power, with its satirical view of trite celebrity fashion concerns, could be a newer mix between Right Said Fred and Rick James, while What We Got is somewhere between self-deprecating and genuinely just plain fun.
On Technicolor Dreamer, Hardkiss breaks a bit further away from his God Within moniker to focus more on this specifically solo musical venture; fans familiar with his jazz and funk influences will find a great deal more of both at play than on other outings. But Hardkiss seems intent on both covering familiar ground as well as surprising the listener: On tracks like It Comes From Above, many of those familiar Euro-pop elements mix with a simple five-word mantra, all in praise of electronic music’s more intangible and ethereal qualities.
Words by Jeff Nau
Scott Hardkiss – Come On, Come On
Music Pigface
Bringing back the rumbling, distorted white noise sound that made them innovators of industrial, Pigface is one of the few bands that managed to stay relevant in the scene without sounding like charlatans of the genre’s ‘elite’ (i.e., Stabbing Westward and all the other bands which ripped off NIN). Chaotic, soothing, ambient– all are superlatives likely heaped on this band before, but one only need take a listen to their extensive discography to get a hint at how they’ve managed to survive.













