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Featured Music Emika: Bass Is Maternal

November 17, 2011 - 9:13 am

What is it with girls and their bottom end? It’s not something I muse upon often, but every once in a while a member of the fairer sex comes along that makes me rethink my appreciation of tone, presence and overall bounceability. And no, I’m not talking about the posterior. I’m talking about bass. Specifically, bass crafted by Ninja Tune’s newest female export, Emika.

Last month, she dropped her self-titled debut album amidst a teeth-rattling tour with labelmates Amon Tobin and Eskmo. From the very first track, you could tell she was onto something new; something sultry yet smart. We caught up with Emika backstage at her Los Angeles date to find out how her new album came to be, and what’s on tap for 2013.

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Characters Gallery Hungry? Halloween Never Tasted so Good (HARD Characters Gallery)

November 1, 2011 - 1:08 pm

Boo! Did I get you? Well, either way, we all know that “it,” Halloween, only happens once a year and I think we can all agree that it brings out the kid in us. There is something great about dressing up and slamming sugar that never gets old, no matter what your age… plus we only get so many chances to let the weird out nowadays…

While exploring this past weekend’s HARD Haunted Mansion festival, ChinaShop managed to capture some weirdness as well as some of the kids in costume to share with you hoping it will keep your sugar buzz rolling a few more minutes. Enjoy, tallyho and happy Halloween.

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Gallery Music HARD Haunted Mansion – The Biggest Halloween Party Not on Halloween (Part 2)

November 1, 2011 - 10:46 am

Day Two of the HARD Haunted Mansion continued with the tradition of showcasing several breakthrough acts which are not as frequent in America. Goose, performing in America for only the second time, got the Main stage warmed up as people began trickling in from an exhausting day prior. The Harder Stage included a ménage à trios of sorts as Jackmaster, who rarely makes his way to America, played a set heavy on funky and UK-garage tunes which seem to be more popular in Europe than here, judging by the disappointing turnout. The Magician, formerly of Aeroplane, played one of the most surprising sets of the weekend. There’s something about disco that seems to make even the most shy of dancers, attempt to recreate the choreography they saw in LMFAO’s “Party Rock Anthem” video. Totally Enormous Extinct Dinosaurs, or T.E.E.D., seemed a surprising act to book, but quickly rounded out the threesome of stellar performances on the Harder stage with his live instrumentation and vocals.

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Featured Gallery Music HARD Haunted Mansion – The Biggest Halloween Party Not On Halloween

October 31, 2011 - 12:25 pm

If there wasn’t an age stipulation for going trick-or-treating, HARD Haunted Mansion might not have made it past the four-year mark. Having just completed a successful fourth installment to its steadily growing Halloween party, Los Angeles’ Shrine Exposition Hall played host to all the adults who want to satisfy their Halloween desires without risking the door-to-door candy gathering which would land them in jail. Look at it like this; HARD Haunted Mansion is like the house you always went to on Halloween who gave you full-sized candy bars from the big brands you actually liked.

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Music Return of The Fat Boy: Fatboy Slim at HARD

October 31, 2011 - 11:41 am

If dance music lovers had a zodiac calendar, 2011 would be the year of the Fatboy. At the end of 2008, Brighton-based DJ and producer, Norman Cook, decided that he was potentially going to discontinue performing under his pseudonym, Fatboy Slim. After partnering with ex-Talking Heads member, David Byrne, they set out to record and eventually release an album under the name, The Brighton Port Authority. Lucky for us and bad for the music industry, music downloads surged and it had become increasingly difficult to survive as a successful studio musician. (Not to mention it isn’t anywhere near as fun as playing live in front of 250,000 of your closest friends, like he did in 2002.)

After the release of the BPA’s album, I Think We’re Going To Need A Bigger Boat in 2009, the Fatboy Slim moniker was revived to a ready and willing Australia. Touring sporadically around the world through 2010, including a two year run at Glastonbury, Norman Cook began picking up speed as a force to (still) be reckoned with. With over 70 shows slated for 2011 alone, this year is the most demanding touring schedule he has ever seen.

After kicking his drinking habit over two years ago, Fatboy Slim appears to be having the most fun of his career. Although his productions have slowed, his headlining slots have not. After returning to the United States earlier this year for the first time since 2008, Fatboy Slim headlined the Detroit Electronic Music Festival and this past weekend’s HARD Haunted Mansion. With the end of the year nearing, Norman Cook has achieved what very few could do. He came, he conquered, and he reignited a sense of nostalgia in hundreds of thousands of his loyal fans. Fatboy Slim reminds me a simpler time in dance music, a time where you could watch a music video of Christopher Walken defying gravity and walking on walls, and not have to worry about the media asking you how much drugs you’d have to take to enjoy it.

I was able to speak with Norman before his headlining slot over the weekend at the Los Angeles based, HARD Haunted Mansion and quickly learned that although he might take a break every now and then to satisfy other musical urges, he will always have an insatiable thirst for being Fatboy Slim.

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Featured Gallery Music The Peter Bjorn and John All You Can Eat Tour

October 27, 2011 - 10:16 am

Playing a show or two in a city and them moving on to the next? Peter Bjorn and John have been there done that. When planning the “All You Can Eat” leg of the Gimme Some tour, the Swedish trio was looking for something more exciting to bring to their fans. Their solution? A stop in each city featuring a PBJ Gimme Some gallery exhibition, multiple performance dates, and food truck catered events where the band can hang with fans while they munch on a variety of dishes from mobile eateries. “Food trucks are the indie rock of food so having those on site was only fitting,” explains Björn Yttling.

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Gallery Music Ninja, Please: Amon Tobin, Eskmo and Emika hit LA

October 24, 2011 - 11:27 am

Confetti. Lots and lots of confetti, blowing out of two large air canisters like a paper orgasm at the end of a Super Bowl. Who’s the big winner? You are. The above photo was taken at the close of Amon Tobin’s (inter)stellar performance at the Music Box in L.A. on October 16. If you were fortunate enough to be in attendance, scraps of write paper most likely fell out of your shirt whilst you were changing into your jammies later that night. Maybe your hearing has returned. Maybe not. Depends on where you were standing and whether or not you brought earplugs to combat the onslaught of sound, courtesy of “Big Sam” and his Pure Filth system. Maybe you bought an Amon Tobin onesie for your friend’s newborn—they were on sale—or perhaps you went home and downloaded songs from opening acts Eskmo and Emika. The traveling circus known as Ninja Tune once again rolled through Southern California, transforming the eyes, ears and expectations of a healthy Sunday night crowd.

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Gallery Music Social Distortion @ the Music Box : Prohibition-Era Punk Rock

April 26, 2011 - 10:22 am

There’s a lot of you out there (you know who you are) who long ago consigned yourself to the age-old credo “punk is dead.” You’d probably be hard-pressed to believe that even Social Distortion‘s recent Music Box performance could be the best argument in years to such a hastily-conceived notion. In addition to the debut of their newest and most raucous album in years, Hard Times and Nursery Rhymes, the boys really raised that punk bar a bit more: it wasn’t just a great concert with a tight band, it was a glorious punk rock/rockabilly/cinematic spectacle.

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Gallery Music Chicks Dig ‘Em: Uh Huh Her

April 4, 2011 - 12:30 pm

At first listen it doesn’t look or sound like Uh Huh Her is doing much new. Like countless others, they’re riding the 1982-87 New Wave for all it’s worth, packing their stage full of vintage synths, programmed drums, and guitars drenched in delay. Watching their spirited performance at the El Rey on Friday night, it was still hard not to think of Gozer from Ghostbusters and those slicked-down backup dancers from that Robert Palmer video.

But unlike so many others, UHH gets it right, capturing the post-punk spirit of what made bands like Joy Division and The Creatures so catchy. Songs like “I See Red” are infectious and ethereal, even dreamy; “Never the Same” (a preview from their upcoming album Nocturnes), is awash in an astral noise that’s somewhere on the spectrum between Enya and top 40 pop.

And judging by the rapturous applause, they stole hundreds of girls’ hearts tonight. As for the boys, who cares.

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Gallery Music Linkin Park and The Prodigy Bridge the Gap at Staples Center

February 25, 2011 - 2:09 pm

When Linkin Park released their latest album, A Thousand Suns, longtime fans had a bit of a meltdown. The diehards wanted so much to embrace its heavily electronic undertones and conceptual themes, but for many, their loyalty to the style LP helped pioneer with albums like Hybrid Theory and Meteora was just too strong. For me, a longtime electronic music fan, the change was a bold step in the right direction. So when it came time for Linkin Park to take their show on the road, a pairing with dance music kingpins The Prodigy at Staples Center in Los Angeles felt like a reinforcement of that new path.

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