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Music Red Bull Big Tune Hits the El Rey In L.A.

June 3, 2010 - 11:28 am

Hip-hop was center stage Thursday night at Red Bull’s Big Tune Los Angeles competition as 12 of Los Angeles’ brightest up-and-coming beat makers went head-to-head in a single-elimination competition judged by audience applause.  The winner and runner-up from the competition earned a ticket to the Chicago Big Tune finals where they will battle other producers for an opportunity to collaborate with a hip-hop legend.  Previous Big Tune winners married their beats to lyrics by Nas, Young Buck, and most recently Ghost Face Killah.

The event, held at the world famous El Rey theater, raised over $3700 and all proceeds will go towards buying music production equipment for select LAUSD after school programs.

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Video Do This, Not That: When Bad Can Be Good

June 2, 2010 - 4:14 pm

Leslie Hall

If you are on the internet all day “working”, you have already seen both of these videos. The first is by the always flamboyant, Leslie Hall. The former art student, turned bling sweater curator, turned rapping sensation. Leslie knows that tight pants aren’t her friend. She’s what you might call “self ironic”.  Like all great train wrecks you start to watch because you want to see the carnage. However, with Leslie you continue to watch because she’s not really half bad. The fact that she’s embracing her quirks and owning them outright….well its almost inspiring. You want in on the joke. You might even buy the t-shirt.

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Music Tokimonsta: Jack-Of-All-Genres

June 2, 2010 - 11:56 am

TOKiMONSTA at Movement 2010

It’s not easy to describe the sounds of Tokimonsta. An initial impression could you leave in a world as “melodic and sentimental” as the artist herself is cute (see above picture). And even though the 24-year-old Tokimonsta’s catalog is somewhat brief, that initial impression could leave you locked into the wrong idea. Within seconds, this Los Angeles-based, self-proclaimed “jack-of-all-genres” can pull a rough, rugged and hip-hop heavy dose of remixed beats out of her bag and no, she won’t hesitate to use ‘em. “I love listening to varied genres,” says Tokimonsta, “so I wanted something with guitars. I wanted something with soul. I wanted lots of hip-hop in it mixed with that electronic, sonic value. As you create, you realize that the years and years of listening to music expel themselves into whatever music your making.” Kicking things off on Monday afternoon, this is the sort of eclectic thrill that Tokimonsta brought to yet another unique weekend performance on the Red Bull Music Academy stage. ChinaShop caught up with the 2010 Red Bull Music Academy attendee to grab up all the details on how this young deejay came to hone her craft and gain some notoriety with some help from Flying Lotus, the adversity she faced early on in the LA hip-hop community and the broad musical tastes that help keep the audience always guessing.  We had a chance to catch up with Tokimonsta at this year’s Movement Festival and this is what she had to say:

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Music Tyvek: A Smack On The Ass and A Punch In The Face

June 1, 2010 - 2:35 pm

Tyvek at Movment 2010

The culture of Detroit does not rest solely on the shoulders of the Movement festival. Like any major American city, Detroit hosts its annual beacons of pride and popularity — the lauded Detroit International Jazz Festival, downtown’s chilly Winter Blast, the prestigious North American International Auto Show. But often, the shadow cast by these behemoth weekend attractions hides a bustling culture that breeds year-round. Last Thursday evening, as the stages were being erected and the carnival food carts were still jockeying for position before the start of Movement 2010 in Hart Plaza, the Museum of Contemporary Art Detroit (MOCAD) was offering a small sampling of such sophistication.

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Featured Music The Crystal Method: A Cinematic Explosion of Sound and Light

June 1, 2010 - 2:26 pm

Crystal Method Movement 2010

Most people wouldn’t throw a Crystal Method CD into their car stereo and describe the duo as “musical entrepreneurs ahead of their time.” But the oddball business description would be more than fitting. Before electronic music was granted the same avenues of exposure as your run-of-the-mill Top 40 pop hits, Scott Kirkland and Ken Jordan of the Crystal Method were exploring alternative routes of rocking the masses to great success. “We can’t help it that we’re sexy! We can’t help it that everyone wants us!” laughs Kirkland, the vodka and Red Bull rushing to his head backstage at the intimate Vain Ultra Lounge in downtown Detroit. “But we did wrestle with the concept of [commercializing our music] early on. We were like, ‘Fuck you! Fuck money! We’re hardcore!’ … We were young, dumb and passionate.”

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