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Fashion Fashion Round-up 2009

November 4, 2009 - 10:58 am

mcqueenagain

While fashion used to trickle down direct from the runway, the proliferation of fashion blogs, street style photographers & the uprising of bloggers-as-celebrities has caused a turning of the tide.  This has never been as apparent as it was this year.  Mixing it all together has become even more marked as models’ off-duty wear makes them fashion icons — their often-imitated mix of haute couture & streetwear gives everyone new ideas as to how to rework their closet.

Here are a selection of the trends dictated to us as well as what real people on the street adopted as their own — for better or for ill!

Beauty from the runway: An emphasis on lips, dewy cheeks, natural make-up & smokey eyes.

Fashion from the runway: One-shouldered anything; color blocking, emphasis on shoulders; sequins, studs, metallics; tribal looks, texture, round sunglasses; hot pink, fur-&-military style (this started off slowly & picked up speed with the passing of Michael Jackson, King of Pop & military style gone glam).

Designers appear to have had enough of this recession talk & are striking back in the best way they know how.  Minimalism was punted to the wayside in favor of maximalism — everything was elaborate, decorated & embellished.

Beauty from the street: Cat’s eye make-up, really big hair, & false eyelashes.

Fashion from the street:
Sequined everything; headbands, jumpsuits, skinny jeans, harem pants; Wayfarers in every color of the rainbow; gladiator sandals, high-waisted skirts, bows & ruffles (this definitely trickled down from the likes of Luella & Erin Fetherston but people took it to the street with incredible gusto); designer shoes worn with clothes from the high street; blazers, leather jackets, shredded jeans, ripped stockings & scarves.

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Music The Kids Are Sick; The Studio’s Sicker

November 3, 2009 - 5:15 pm

Red Bull Studio Santa Monica

Built within the sprawling, 100,000-square-foot industrial park that has recently become the new home to Red Bull Headquarters, the company’s own Red Bull Studios is barely two years old and already boasts not only the latest in state-of-the-art recording technology, but also the perfect amount of expertly-designed studio space.

Planning a world-class recording facility which could match the industry’s best was no easy task, so Red Bull wisely enlisted the help of two giants: Troy Germano and David Bell of Studio Design Group, the same masterminds who honed their skills at New York’s legendary The Hit Factory, once recording home to John Lennon, Bruce Springsteen, Paul Simon, and Michael Jackson. It’s a studio that has already earned the 2008 TEC award for Outstanding Creative Achievement in design, as well as acclaim from MIX magazine and some of the industry’s biggest critics. And with good reason: not only does this 3,500 square-foot studio boast an immense tracking room, the latest in Pro-Tools recording technology, an Exigy Monitoring system and top-of-the-line analog gear, but its designers know quality sound is invaluable—thus their custom red-and-blue SSL K-Series mixing board, the last of its prized kind. In addition to this, bands and artists have access to Red Bull Studios’ helmsman/engineering guru Eric Stenman, who has worked with everyone from Dashboard Confessional to Anthrax to Saves the Day.

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Oddity WeHo Halloween Carnaval: The Freaks Come Out at Night

November 3, 2009 - 2:06 pm

carnivale superheroes

Another Halloween–and hundreds more hordes of freaks, fruits, and assorted miscreants, all coming out of the woodwork to flood Santa Monica Blvd. for the West Hollywood Halloween Carnaval. What began as good-natured fun with my fellow Angelenos turned something which all-too-eerily resembled a pesky L.A. traffic jam— one side of the street, you’re packed alongside the others like a human sardine; move to a lane that looks clearer and be caught between sweaty cavorting bodies in fleshy gridlock. Then a horde of H1N1-infected pigs come trampling your way, squashing into you and sending you sprawling onto the street. Even Beaker from The Muppets got in on the act.

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Gallery Oddity Going To A Party Where No One’s Still Alive

November 3, 2009 - 1:53 pm

The historic Hollywood Forever Cemetery began to open its grounds to Dia De Los Muertos celebrations over one hundred tears ago. For just one night each year, the tombstones along its main roads are transformed into spectacular shrines honoring the dead. Friends and relatives talk about the altars they’ve created and share their memories of the departed. These colorful, glowing constructions are bedecked with candles, marigolds, sugar skulls, and personal artifacts. The latter range from photographs and childhood toys to favorite clothing and delicacies.  Each altar is a celebration of a life, complete with gifts, food, and tales of glories past -  Oingo Boingo’s song, “Dead Man’s Party”, comes to mind. Participants have less than twenty-four hours to assemble the monuments, which must be torn down at the end of the seven-hour event. In addition to admiring these temporary sanctums, thousands of visitors make their way down dimly-lit paths to feast on traditional Latin American cuisine and check out art exhibits inside the main mausoleum, musical performances, costumed processions, and choreographed Aztec dance numbers.

Words and photos by Zoetica Ebb

Dia De Los Muertos

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Gallery Oddity Ebb and Gore Halloween Costume Hunt 2009

November 3, 2009 - 1:16 pm

This Halloween I dressed up in my anime finest and, along with Chris Gore, set out on a quest to find the best costume and the spookiest atmosphere. Our destinations: Club Ruin‘s Grimm Fairytale Ball and a house party – which would yield the best outfits? Mine was Major Kusanagi from Japanese manga and animation, Ghost in the Shell, while Chris and charming date channeled Roman Polanski and his underage love interest. To my chagrin, Chris didn’t heed my suggestion of wearing polyester pants.

Zoetica Ebb

After two night of scrupulous research the results are mixed. Ruin, a nightclub held at the lavish Monte Cristo in LA’s Koreatown, invited its guests to dress in fantasy gear, while the party was all about the geek chic.

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Fashion Rodarte in Target

November 3, 2009 - 12:27 pm

Rodarte from Style.com

Rodarte is a relative newcover to the fashion world, but one that has made a huge impression.  After their debut in 2005, Kate & Laura Mulleavy, the two sisters behind the line, landed a Women’s Wear Daily cover as well as a meeting with Vogue editrix Anna Wintour.  They won the CFDA Womenswear Designer of the Year award in June, & the CFDA Swarovski Award for Womenswear last year.  Rodarte is known for its ethereality, sublimely sophisticated palettes & uber-embellishments — which is why so many people were surprised to hear that they had inked a deal to design a capsule collection for Target’s Go International.

But is it really that shocking? After all, the sisters have previously collaborated with Gap — along with Doo-Ri & Thakoon, also up-&-coming American designers — on a limited edition collection called Gap Design Editions.  The Gap pieces, which included a sleeveless trapeze top, a trapeze mini-dress with front pockets & bows, & a sleeveless blouse embellished with bows around the neck, sold out almost immediately.  With prices ranging from $68 to $88, it’s a little wonder: most Rodarte gowns sell for at least $10,000 which effectively prices out the vast majority of consumers!

At least they’re in excellent company:  Luella Bartley, Proenza Schouler, Alexander McQeen & Erin Fetherston are among the other high-profile designers who have collaborated with Target to bring more wearable versions of their luxurious clothing to the general public.

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Film Hey Kids– It’s the ANTICHRIST!

November 2, 2009 - 4:16 pm

antibutt

Critics have called it shocking, horrific, repulsive, and pretentious; Roger Ebert claimed that Von Trier “has reached me and shaken me,”; others deemed it “the most shocking film in the history of the Cannes Film Festival.”  So is Antichrist really deserving of all the controversy heaped upon it? (Is any film, really?) While it may be a bit overhyped, the last 45 minutes or so of the film easily rival the visceral gore of most contemporary torture-porn horror films. You know how certain movies get the ‘unrated’ aka NC-17 card, and you leave shaking your head, cursing the retarded logic of the MPAA? I’m surprised this one even made it to a theater: Genital mutilation, hardcore sex shots, leg impalement, Willem Dafoe’s ass, and a rather prescient fox who screeches: “CHAOS REIGNS!”

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Oddity Urban Exploration The Witch’s House: Beverly Hills 90666!

November 2, 2009 - 11:01 am

witchhouse2

Around Halloween, the inhabitants of all those cozily, carefully-shrouded McMansions in Beverly Hills turn their eyes to the scariest thing in town: The Witch House, which looks like something like a cross between the Gingerbread House in Hansel and Gretel, and a hobbit home in Rivendell. It was built in the 1920s for a bunch of silent, and presumably creepy, films — hey, it was used in the Alicia Silverstone movie Clueless! — before finally being relocated to Beverly Hills. Unfortunately it’s not something open to public view, so the best you can hope for is a drive-by, or, for the particularly brave, a nosy peek through the windows.

Witch House 2

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Music ChinaShop Tea Set Vol. # 5

November 2, 2009 - 10:45 am

Snow-White-on-Needle

A look back at some great music we posted in September and October!

The Revolting Cocks – I’m Not Gay - brings back its own retarded, mutant brand of noise-rock to upturn noses further with its indeterminable-yet-offensive musical stench (a retarded description, though intended affectionately).

Rainbow Arabia – Omar K remix (Ghosts on Tape) - there’s a great deal of the unique in Rainbow Arabia’s new EP, Kabukimono, on which keyboardist Danny Preston and his wife, Tiffany, exploit their respective musical talents to the fullest.

The Slits – Ask Ma- Fans of the band’s eccentric sound should be psyched to learn that nothing much has changed: a mix of everything from dub, reggae, and electronica floods Trapped Animal, and proves once again that The Slits are able to maintain the same cutting edge sound that made them purveyors on the scene three decades ago.

The Penelopes – Gut Feeling - There’s something oddly refreshing at the heart of France dance duo The Penelopes’ brand of twangy, ambient rock n’ roll. Picture the electric Fender reverb of a 1960′s strat mixed with a layer of synth and bubblegum pop dance beats, and you’re only getting a small part of the picture.

Scott Hardkiss – Hey Deejay (Jimmy Edgar remix) - Mixing different styles of electronica, techno, trance, and more, many of  Scott Hardkiss’ song titles are both self-explanatory and satirical: Beat Freak encompasses a wide variety of different beats, both percussive and synth-based, while others like The Revolution Has Begun are less genre-bending revelations than catchy, quirky observations on electronic music’s self-indulgent obsession with retro effects.

Pigface – Mercenary (Beijing Mix) – Bringing back the rumbling, distorted white noise sound that made them innovators of industrial, Pigface is one of the few bands that managed to stay relevant in the scene without sounding like charlatans of the genre’s ‘elite’ (i.e., Stabbing Westward and all the other bands which ripped off NIN).

State Radio – State of Georgia (Live Acoustic) – The schizophrenic musical sensibilities that lurk underneath their radio-friendly image will please many and perhaps drive away many others; one need only listen to their new LP Let It Go to get a sense of the band’s diverse musical territory.

The Mary Onettes – Puzzles - The Mary Onettes’ critically acclaimed debut was described as the perfect mix between A-ha and The Jesus and Mary Chain.  Now they are back with a grandiose new album.  Imagine a Swedish equivalent of The National on a diet of speed, Planet Earth DVDs, and 80′s guitar pop singles and you’ll have a vague idea of how amazing this is.

The Twilight Sad – I Became a Prostitute – Unlike many bands which hail from their home country, one of the most unique aspects of The Twilight Sad is how defiantly lead singer James Graham’s Scottish brogue resonates in the songs, a welcome touch to what deceptively seems like a somewhat Americanized sound. Perhaps it’s also this charm that adds to the witty, stream-of-consciousness prose the band utilizes to surprising effect on their latest album, Forget the Night Ahead.

Burns- First Move- Take a listen to “First Move” and one of the first things you’ll notice is how much the funk-oriented guitar and bass sound of Burns could be something off of Michael Jackson’s Thriller album. It’s this classic-sounding riff which helps provide the underlying theme for the song, which continues for some time before giving way to a serene interlude of thin, piercing synthesizers under a variety of lush and ambient sounds.

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